Meghan Cox Gurdon, the Children's Book Reviewer for The Wall Street Journal writes:
ON JUNE 4, 2011, the number one trending topic on Twitter was the Anthony Weiner scandal. I happen to remember that, because the number two topic on Twitter that day—almost as frenzied, though a lot less humorous—had to do with an outrageous, intolerable attack on Young Adult literature . . . by me. Entitled “Darkness Too Visible,” my article discussed the increasingly dark current that runs through books classified as YA, for Young Adult—books aimed at readers between 12 and 18 years of age—a subset that has, in the four decades since Young Adult became a distinct category in fiction, become increasingly lurid, grotesque, profane, sexual, and ugly.
Books show us the world, and in that sense, too many books for adolescents act like funhouse mirrors, reflecting hideously distorted portrayals of life. Those of us who have grown up understand that the teen years can be fraught and turbulent—and for some kids, very unhappy—but at the same time we know that in the arc of human life, these years are brief. Today, too many novels for teenagers are long on the turbulence and short on a sense of perspective...
“Beauty is vanishing from our world because we live as if it does not matter.” That’s Roger Scruton again. But he doesn’t want us to despair. He also writes:
It is one mark of rational beings that they do not live only—or even
at all—in the present. They have the freedom to despise the world that
surrounds them and live another way. The art, literature, and music of
our civilization remind them of this, and also point to the path that
lies always before them: the path out of desecration towards the sacred
and the sacrificial.
Read this wonderful article here.
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